SSGK-1

Assembled: $75.95

Put some teeth into your guitar! More body, more volume and a clear tone that can cut through a mix; that is what to expect with the BCS Standard series. This kit is a complete electrical replacement for any SG, SG copy or any guitar with a standard SG layout.

We use only high grade components in our kits to bring out optimum performance.

Bourns Potentiometers: The SSGK-1 uses 500K Bourns Pro Audio, short-split shaft pots with a standard torque. We chose the Bourns pots because we found them to have a superior taper and a smoother feel than the CTS pots we used to use. These pots have a 24 spline shaft so Epiphone or import knobs will not fit without first pinching the top of the split shaft together a little and then slowly push them on. U.S. spec knobs will fit fine. Click here for our selection of U.S. spec knobs. Be aware that if your volume and tone pot holes are not 3/8″ in diameter then you will need to open them up for the new pots to fit. Don’t worry this is easier than it sounds and a step by step is included in the instructions. The holes on Gibson made SG’s should already be 3/8″.

Audio or Linear taper for your volume controls? You can choose between Audio taper or Linear taper for the volume pots but the tone pots are Audio taper only. What’s the difference and which one should you use? That depends on you. The Audio taper falls off rather quickly as you volume down with a clean tone (i.e. your tone will drop about 50% from 10 to 8.5 and then smooth out from there) but when using overdrive you can “clean up” your tone without losing volume. As you decrease the volume the amount of drive from your guitar decreases so your overdrive breaks up a lot less and you end up with a much cleaner tone and no real volume loss until you get down to about 3. The Linear taper acts more like you would expect from a volume control giving you a much more even taper as you volume down with a clean tone. When using distortion or overdrive with a Linear taper there is no real discernible volume drop as you turn it down until you hit about 3 and the amount of drive pushing the distortion does not change very much which results with a small amount of change to your distortion. If you like to use your volume pots to clean up your distortion then the Audio taper is for you, but if you want smooth volume control with your clean tone and run your distortion full open, or don’t use distortion at all, then go for the Linear taper.

Capacitors: We have selected the Mallory “Mustard” cap .022uf 400v capacitor for a pristine clean tone with no “warming” tone coloration. We used to use the MOJO Dijon capacitors, which were built to sound like the Mallory caps, but we decided instead of using a capacitor that was built to emulate the Mallory “Mustard” cap, we would just go ahead and use the real thing. Mallory is now owned by Cornell Dubilier so if you see that printed on the side instead of Mallory, don’t be alarmed, they are still made the same way and sound fantastic.

Switch & Jack: We use Switchcraft switches and jacks to provide reliable switching and rock solid connections for years to come. The SSGK-1 comes with a right angle 3-way toggle switch and a cream tip (black or amber can be substituted on request).

Wire: We use high quality cloth covered wire for the standard series to guarantee optimum electrical transfer with a lower resistance so your tone will not be hampered in the least. We use 22 gauge solid core wire for the conductors and 18 gauge thick stranded wire for the ground. We know that everyone else uses 24 to 26 gauge thin stranded wire and that theoretically it gives you more electrical transfer because of the higher number of strands, but we have found that the higher gauge solid core wire and thick stranded wire (therefore fewer strands) lowers the resistance and changes the inductance which results in a more detailed tone. The electrical differences are very small but they are cumulative with the enhancements provided by the other components which results in a superior tone.

This kit is wired to a modern Gibson SG wiring schematic.

Build It Yourself: The unassembled version of this kit comes with everything the assembled kit does including heat shrink, volume mods (tone bleed mods), solid tinned ground wire and an Assembly Template. We also include extra wire just in case you make a mistake and need a little extra.

Click the links below to see the Installation instructions and our schematics so you will know what is involved in installing one of these kits.

Standard SG Installation Instructions

Standard SG Wiring Schematic

  • Switch to Neck Volume:                     2 3/16” or  52.39 mm
  • Neck Volume to Neck Tone:               2 13/16” or  46.04mm
  • Neck Volume to Bridge Volume:         1 1/2” or 38.10mm
  • Bridge Volume to Bridge Tone:           2 13/16” or  46.04mm
  • Bridge Tone to Neck Tone:                 1 1/2” or 38.10mm
  • Neck Tone to Output Jack:                 1 1/8” or 28.56mm

Assembled kit includes:

  • 4- 500K Bourns Pro Audio, short split shaft pots with a standard torque (24 spline) 
  • 2- Mallory “Mustard” .022uf/400V Capacitors
  • 1- Switchcraft 3-way right angle toggle switch
  • 1- Vintage Nut (deep threaded) for thick tops
  • 1- Switchcraft ¼” mono output jack
  • All cloth covered wire, 18 gauge stranded ground & 22 gauge solid core conductor
  • Assembly template

Out of Stock

Turn Around Time

Due to the expansion of our customer base, our turnaround times are 3 to 5 weeks from the time you order. We have recently picked up two guitar manufacturers that we are building wiring harnesses for, and the word of mouth about the quality of our work and customer service has expanded our customer base tremendously. Each kit is built to order, and in the order it was received. It will take some time for you to receive your kit, but it will be well worth the wait, guaranteed! - Bill Brown/owner BCS Guitars.

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